Alan Chin interviewed me for the Examiner in conjunction with the release of my new novel, Look Away Silence. I would like to invite you all to visit the site and give it a read:
http://tinyurl.com/mp793n
Edward C. Patterson
Look Away Silence is schedule for release on July 24th, but is already available for the Amazon kindle http://www.amazon.com/dp/B002HRER5S
Monday, July 20, 2009
Tuesday, July 14, 2009
Look Away Silence Press Release
PRLog (Press Release) – Jul 14, 2009 – Edward C. Patterson's latest novel, Look Away Silence, will be published. It is a romance set during the height of the AIDS crisis in the gay community and encapsulates the author's experiences in volunteer AIDS services during the 1990's. It is dedicated to the Hyacinth AIDS Foundation and the NAMES Project.
Look Away Silence:
Martin Powers wanted an ironing board for Christmas. Instead he got . . . Matthew Kieler, a non-returnable gift, but a gift that kept on giving. Chance encounters are sometimes the ones that most change our lives. He sold Matt a tie, but got more in the bargain — more than most people would want and more than anyone deserved. Although these lovers may not have had the pink American dream, they had it better than most, even as they faced a crisis that would change us all.
Look Away Silence is a romance set in the time of AIDS, when ignorance could spell trouble and often did. It encompasses the author’s experiences in volunteer community service and personal friendships during a tragic period in American history. The novel is dedicated to the Hyacinth AIDS Foundation, the NAMES Project and to the author’s own fallen angels. “Mothers, do not shun your children, because you never know how long you have to revel in them.”
complete release: http://tinyurl.com/mc54wu
Look Away Silence:
Martin Powers wanted an ironing board for Christmas. Instead he got . . . Matthew Kieler, a non-returnable gift, but a gift that kept on giving. Chance encounters are sometimes the ones that most change our lives. He sold Matt a tie, but got more in the bargain — more than most people would want and more than anyone deserved. Although these lovers may not have had the pink American dream, they had it better than most, even as they faced a crisis that would change us all.
Look Away Silence is a romance set in the time of AIDS, when ignorance could spell trouble and often did. It encompasses the author’s experiences in volunteer community service and personal friendships during a tragic period in American history. The novel is dedicated to the Hyacinth AIDS Foundation, the NAMES Project and to the author’s own fallen angels. “Mothers, do not shun your children, because you never know how long you have to revel in them.”
complete release: http://tinyurl.com/mc54wu
Wednesday, July 8, 2009
Stacey Cochrane at OnLine Book Reviews.org Interviews Edwad C. Patterson
I gave OnLineBookReview.com's Stacey Cochrane an author interview today. Come visit and comment. I discuss The Jade Owl Legacy series, Indie Publishing, the Kindle and the future of book distribution as I see it.
http://tinyurl.com/l8b9qm
Edward C. Patterson
http://tinyurl.com/l8b9qm
Edward C. Patterson
Wednesday, July 1, 2009
New Review on Turning Idolater
Got a nice 4-star review for Turning Idolater ($ .99 on the Kindle) from Lila Pinord.
"Never a Dull Moment
Mr. Patterson defines his characters so well, we feel we know them personally. Phillip Flaxen was the Golden Boy of his job as an Internet Stripper who made dates on the side. This job barely kept him in lunch money and he was lucky to eat once a day! Then he meets a fascinating older man who truly loves him and he helps change Phillip's lifestyle. He acquires a decent job that pays better and he loves working with rare books. His ex-roommate, his friend "Sprakie" who took him in during the worst time of his life is quite the character too. His favorite phrase, "Jesus Marie", is enough to drive his friends up the wall. The who-dunnit that winds its way throughout the story is captivating, and we never know who the culprit is until the very end. There's never a dull moment in this book! Good job, Mr. Patterson. Herman Melville and Charles Dickens would be proud."
Edward C. Patterson
Visit my Amazon Authors Page http://www.amazon.com/-/e/B002BMI6X8
"Never a Dull Moment
Mr. Patterson defines his characters so well, we feel we know them personally. Phillip Flaxen was the Golden Boy of his job as an Internet Stripper who made dates on the side. This job barely kept him in lunch money and he was lucky to eat once a day! Then he meets a fascinating older man who truly loves him and he helps change Phillip's lifestyle. He acquires a decent job that pays better and he loves working with rare books. His ex-roommate, his friend "Sprakie" who took him in during the worst time of his life is quite the character too. His favorite phrase, "Jesus Marie", is enough to drive his friends up the wall. The who-dunnit that winds its way throughout the story is captivating, and we never know who the culprit is until the very end. There's never a dull moment in this book! Good job, Mr. Patterson. Herman Melville and Charles Dickens would be proud."
Edward C. Patterson
Visit my Amazon Authors Page http://www.amazon.com/-/e/B002BMI6X8
Monday, June 29, 2009
New Review for The Academician
Todd Fonseca gave a new 4-Star review for The Academician (Edward C. Patterson).
"12th Century China - Graduating with the highest honor at the academy, Li K'ai-men is charged by his great teacher and master Han Lin with carrying out a number of warrants both public and secret. Designated as the new superintendent of Su-chou, Li K'ai-men restores order and beauty to this chronically neglected area and proves he is more than an academic. However, Li is not perfect and his errors in judgment only serve to build his character; soon his talents are recognized by the Emperor and K'ai-men finds himself tutor to a royal prince. But political unrest and war soon come and China quickly finds itself in turmoil. Not only must Li K'ai-men protect his prince, but also the secret warrants associated with the Jade Owl relics.
In The Academician, Edward C. Patterson takes the reader into the heart of 12th century China and the historical events that unfold. Patterson masterfully weaves in the fictional fantastic elements of the Jade Owl and the character of Li K'ai-men during the sweeping changes in China's dynasties centering around the great painter but ineffective Emperor Hui and his family. Fans of Patterson will once again find a story strong in character development and steeped in ancient Chinese culture and events of the day with hints of the fantastical elements that are sure to build in later installments.
Told from the perspective of K'u Ko-ling - Li K'ai-men's faithful though occasionally acerbic servant - each chapter begins with a 1st person account of events detailed in the remainder of the chapter. In this way, Patterson is able to avoid too much exposition while still conveying the richness of the history woven into the story. Reminiscent of James Clavell's work but injected with even stronger character development with the addition of the fantastical elements, Patterson creates an engaging and enlightening read.
Fans of the Jade Owl Legacy will find the beginnings of this relic and its associates. Much like the back-story extras on a good collector's addition of a DVD, the Academician provides that detailed background into what would later drive Rowden Grey and Nick Battle into the quest of a lifetime. I'm looking forward to the next offering in the Southern Swallow series."
Edward C. Patterson
The Academician - Paperback
The Academician - Kindle
"12th Century China - Graduating with the highest honor at the academy, Li K'ai-men is charged by his great teacher and master Han Lin with carrying out a number of warrants both public and secret. Designated as the new superintendent of Su-chou, Li K'ai-men restores order and beauty to this chronically neglected area and proves he is more than an academic. However, Li is not perfect and his errors in judgment only serve to build his character; soon his talents are recognized by the Emperor and K'ai-men finds himself tutor to a royal prince. But political unrest and war soon come and China quickly finds itself in turmoil. Not only must Li K'ai-men protect his prince, but also the secret warrants associated with the Jade Owl relics.
In The Academician, Edward C. Patterson takes the reader into the heart of 12th century China and the historical events that unfold. Patterson masterfully weaves in the fictional fantastic elements of the Jade Owl and the character of Li K'ai-men during the sweeping changes in China's dynasties centering around the great painter but ineffective Emperor Hui and his family. Fans of Patterson will once again find a story strong in character development and steeped in ancient Chinese culture and events of the day with hints of the fantastical elements that are sure to build in later installments.
Told from the perspective of K'u Ko-ling - Li K'ai-men's faithful though occasionally acerbic servant - each chapter begins with a 1st person account of events detailed in the remainder of the chapter. In this way, Patterson is able to avoid too much exposition while still conveying the richness of the history woven into the story. Reminiscent of James Clavell's work but injected with even stronger character development with the addition of the fantastical elements, Patterson creates an engaging and enlightening read.
Fans of the Jade Owl Legacy will find the beginnings of this relic and its associates. Much like the back-story extras on a good collector's addition of a DVD, the Academician provides that detailed background into what would later drive Rowden Grey and Nick Battle into the quest of a lifetime. I'm looking forward to the next offering in the Southern Swallow series."
Edward C. Patterson
The Academician - Paperback
The Academician - Kindle
Friday, June 5, 2009
Driving out Plot and Getting Into the Zone
by Edward C. Patterson
Authors are a sharing lot. They want to reach out and touch someone, specifically a reader. However, if you ask any author how they do that, you will get a variation on a theme — some responses filled with passion, while others chock full of hooey. They will disagree on basic aspects. Some feel that novels should be plot driven, while others favor characters. Some like spare writing, while others favor a detailed revelation of their research. Sometimes the genre dictates the approach. Sometimes not. In any event, there are as many approaches as there are reader preferences. Once an author settles into a style, that style can develop into a brand that permeates a bookshelf at a hundred yards.
I am not peculiar in this respect. I have been writing for over fifty years and authoring for over forty. Through trial and error and exposure to the masters and the wannabees (editors, agents and publicists), I have developed a flexible style in creating a story that reaches out to touch someone. I believe a story sits at the base of a novel and is developed, not plotted. In fact, the word plot is a misnomer. It emerges when an author builds a strict set of tracks for the readers, the characters and the story to follow. This comes from outlining, and in many cases, over development. Plot is a misnomer because overdevelopment of plot usually underdevelops a novel. Characters are constrained or forced to arc by the author’s command rather than by their natural inclination. Readers are constrained, their imaginations dampened by the one-way street of plotting instead of the two-way street of creativity. Dialog forwards plot and not character. Description is anchored to one or two senses (usually sight, and occasionally touch) instead of the five that make the story vibrant. Narrative becomes a matter of point A to B, instead of an opportunity to engage the reader with humor and irony. Story is the product of character, settings and events, and all the interaction between these. The author is a conductor, waving a baton over a score of knowledge and sturdy craft, orchestrating that time frame when the elements come together and resonate into a story. The finished product is the sum of that time frame (the Zone) and several revisions whereby the author polishes the whole with a gemologist’s skill.
The final result — the part that reaches out and touches the reader, is an amalgamation of draft, revision and refinement. If the reader is lucky, much of the draft — the heart and soul of the work, will remain and not be whittled away by the necessary cuts, the logical balance, the thematic implantation and the grammatical corsetry that revision and refinement entail. The draft is born in the Zone, and if some of the Zone touches the reader, there will be a heightened sense of allegiance to the work. However, and this is unfortunate, no matter how hard authors try, the reader can never experience the Zone.
The Zone is a place where true authors dwell. Getting there is a journey. It is where the story world becomes so real that the characters write their own dialog and rain can be felt and the sea can drown you. There is an accentuation — a narcotic, if you will, that allows the mind, heart and soul to unite and slay page after page with the rich cream of virtual reality. In fact, virtual reality is the closest I can think of to describe the feeling. Authors use different methods to get into the Zone (and we don’t always get there in every writing session). Stephen King uses heavy metal music. Jane Austen used isolation. Hemmingway used hard alcohol. I use classical music, isolation and . . . well, no alcohol, but cookies, preferably Veronas (Apricot) and Milanos. Most authors that I know prefer isolation or a special place. I can write anywhere, and have gotten into the Zone without the music or the Milanos, but the experience is different, akin to being on the edge of the forest, peeking in rather than frolicking with the flora and fauna. A good sign that an author is in the Zone is that we speak in the voices of our characters. Dickens did a mean Sarah Gamp. I do a wonderful drag queen.
So if you should pass by my window while I’m in the Zone, don’t report me as being some Son of Sam crazy, who hears voices commanding me to write novels. It’s just a symptom of the art and thankfully, it’s incurable. However, as much as I try to reach out and touch readers, I, like my fellow authors, jealousy guard the gates to the forest, where our children are born and the stories gush from the rocks and rills without plot. We are not gods and goddesses after all, but mere artists high on music and chocolate covered cookies.
Edward C. Patterson
Visit my Amazon Authors Page
Dancaster Creative
Authors are a sharing lot. They want to reach out and touch someone, specifically a reader. However, if you ask any author how they do that, you will get a variation on a theme — some responses filled with passion, while others chock full of hooey. They will disagree on basic aspects. Some feel that novels should be plot driven, while others favor characters. Some like spare writing, while others favor a detailed revelation of their research. Sometimes the genre dictates the approach. Sometimes not. In any event, there are as many approaches as there are reader preferences. Once an author settles into a style, that style can develop into a brand that permeates a bookshelf at a hundred yards.
I am not peculiar in this respect. I have been writing for over fifty years and authoring for over forty. Through trial and error and exposure to the masters and the wannabees (editors, agents and publicists), I have developed a flexible style in creating a story that reaches out to touch someone. I believe a story sits at the base of a novel and is developed, not plotted. In fact, the word plot is a misnomer. It emerges when an author builds a strict set of tracks for the readers, the characters and the story to follow. This comes from outlining, and in many cases, over development. Plot is a misnomer because overdevelopment of plot usually underdevelops a novel. Characters are constrained or forced to arc by the author’s command rather than by their natural inclination. Readers are constrained, their imaginations dampened by the one-way street of plotting instead of the two-way street of creativity. Dialog forwards plot and not character. Description is anchored to one or two senses (usually sight, and occasionally touch) instead of the five that make the story vibrant. Narrative becomes a matter of point A to B, instead of an opportunity to engage the reader with humor and irony. Story is the product of character, settings and events, and all the interaction between these. The author is a conductor, waving a baton over a score of knowledge and sturdy craft, orchestrating that time frame when the elements come together and resonate into a story. The finished product is the sum of that time frame (the Zone) and several revisions whereby the author polishes the whole with a gemologist’s skill.
The final result — the part that reaches out and touches the reader, is an amalgamation of draft, revision and refinement. If the reader is lucky, much of the draft — the heart and soul of the work, will remain and not be whittled away by the necessary cuts, the logical balance, the thematic implantation and the grammatical corsetry that revision and refinement entail. The draft is born in the Zone, and if some of the Zone touches the reader, there will be a heightened sense of allegiance to the work. However, and this is unfortunate, no matter how hard authors try, the reader can never experience the Zone.
The Zone is a place where true authors dwell. Getting there is a journey. It is where the story world becomes so real that the characters write their own dialog and rain can be felt and the sea can drown you. There is an accentuation — a narcotic, if you will, that allows the mind, heart and soul to unite and slay page after page with the rich cream of virtual reality. In fact, virtual reality is the closest I can think of to describe the feeling. Authors use different methods to get into the Zone (and we don’t always get there in every writing session). Stephen King uses heavy metal music. Jane Austen used isolation. Hemmingway used hard alcohol. I use classical music, isolation and . . . well, no alcohol, but cookies, preferably Veronas (Apricot) and Milanos. Most authors that I know prefer isolation or a special place. I can write anywhere, and have gotten into the Zone without the music or the Milanos, but the experience is different, akin to being on the edge of the forest, peeking in rather than frolicking with the flora and fauna. A good sign that an author is in the Zone is that we speak in the voices of our characters. Dickens did a mean Sarah Gamp. I do a wonderful drag queen.
So if you should pass by my window while I’m in the Zone, don’t report me as being some Son of Sam crazy, who hears voices commanding me to write novels. It’s just a symptom of the art and thankfully, it’s incurable. However, as much as I try to reach out and touch readers, I, like my fellow authors, jealousy guard the gates to the forest, where our children are born and the stories gush from the rocks and rills without plot. We are not gods and goddesses after all, but mere artists high on music and chocolate covered cookies.
Edward C. Patterson
Visit my Amazon Authors Page
Dancaster Creative
Monday, May 25, 2009
Dancaster Creative's Website has been Redesigned
Come visit and explore, then come back to Amazon and explore some more.
Edward C. Patterson
Dancaster Creative
Tuesday, May 19, 2009
Striving to Engage the Reader
My approach to authoring books is not unique, but I believe it is lost in many quarters. Many times books are conceived as the author’s self expression, disregarding the reader. Readers become outsiders looking in, fishing around for ephemeral meanings and significant themes. At other times, authors attempt to pander to reader’s likes and dislikes, setting quotas on sex or violence, creating plot-driven sequences meant to fill in rainy Tuesdays. There’s nothing wrong with this approach. It’s just not my approach.
I strive to engage the reader, challenging them to think. Not only should they put one word in front of the other to achieve an end, they should collaborate with me and complete my thoughts; escape to a world that we both share. I do not aim at a mass audience, or even a gay audience. Although all my books have gay characters and many have gay themes, I write for just one reader and don’t care about their sexual orientation. I present that reader with living, breathing characters, who stick in their mind and lodge in their cares. Story is almost immaterial. The journey is the thing; a path that glues the reader to the page as they turn and turn and turn . . . An escape — a refuge.
Into this stew pot of authoring, I inject my experiences. I have degrees in Chinese History and have traveled extensively. As such, my longest works, The Jade Owl Legacy series is China-themed; and The Academician is a tale of 12th Century China. I have an affinity for fantasy, so alternate realities play a role in my books. As a gay activist with many years in service to the cause, books like Turning Idolater, No Irish Need Apply and Cutting the Cheese are gay-dominant, although you might be surprised that these have been embraced by the non-gay community. I feel ambassadorial. Bobby’s Trace spans both the gay-themed and the fantasy worlds; and as a gay-veteran (1966-68), I have a military tale based on my experiences in the U.S. Army in 1967 (Surviving an American Gulag).
My latest work is the third installment of The Jade Owl Legacy series, called The Dragon’s Pool. Like its two predecessors, it revels in the nexus of the modern and ancient world; and continues the epic of a band of characters that have been well received by readers of the series. I am currently working on two new works — the second installment of the Southern Swallow series, entitled The Nan Tu (The Southern Migration), an historical fantasy recounting the bifurcation of the Sung Dynasty during the early 12th Century. It will continue to explore the contours of human sexuality in medieval China. The other work is a romance in the time of AIDS, entitled Look Away Silence, a work that channels many of my own experiences as an AIDS service volunteer and takes a side-glance at the Gay and Lesbian Association of Choruses (GALA).
My motto will continue to be — Write with your heart, edit with your mind, instill the work with poetry and humor, and the book will author itself. From my mind to your imagination . . .
An excerpt from The Dragon’s Pool can be read at author’s den http://www.authorsden.com/visit/viewwork.asp?id=33323.
A complete list of my novels can be viewed at my website, Dancaster Creative http://www.dancaste/com
I strive to engage the reader, challenging them to think. Not only should they put one word in front of the other to achieve an end, they should collaborate with me and complete my thoughts; escape to a world that we both share. I do not aim at a mass audience, or even a gay audience. Although all my books have gay characters and many have gay themes, I write for just one reader and don’t care about their sexual orientation. I present that reader with living, breathing characters, who stick in their mind and lodge in their cares. Story is almost immaterial. The journey is the thing; a path that glues the reader to the page as they turn and turn and turn . . . An escape — a refuge.
Into this stew pot of authoring, I inject my experiences. I have degrees in Chinese History and have traveled extensively. As such, my longest works, The Jade Owl Legacy series is China-themed; and The Academician is a tale of 12th Century China. I have an affinity for fantasy, so alternate realities play a role in my books. As a gay activist with many years in service to the cause, books like Turning Idolater, No Irish Need Apply and Cutting the Cheese are gay-dominant, although you might be surprised that these have been embraced by the non-gay community. I feel ambassadorial. Bobby’s Trace spans both the gay-themed and the fantasy worlds; and as a gay-veteran (1966-68), I have a military tale based on my experiences in the U.S. Army in 1967 (Surviving an American Gulag).
My latest work is the third installment of The Jade Owl Legacy series, called The Dragon’s Pool. Like its two predecessors, it revels in the nexus of the modern and ancient world; and continues the epic of a band of characters that have been well received by readers of the series. I am currently working on two new works — the second installment of the Southern Swallow series, entitled The Nan Tu (The Southern Migration), an historical fantasy recounting the bifurcation of the Sung Dynasty during the early 12th Century. It will continue to explore the contours of human sexuality in medieval China. The other work is a romance in the time of AIDS, entitled Look Away Silence, a work that channels many of my own experiences as an AIDS service volunteer and takes a side-glance at the Gay and Lesbian Association of Choruses (GALA).
My motto will continue to be — Write with your heart, edit with your mind, instill the work with poetry and humor, and the book will author itself. From my mind to your imagination . . .
An excerpt from The Dragon’s Pool can be read at author’s den http://www.authorsden.com/visit/viewwork.asp?id=33323.
A complete list of my novels can be viewed at my website, Dancaster Creative http://www.dancaste/com
Monday, May 18, 2009
Rainbow Reviews Gives The Dragon's Pool 5-Stars
The following 5-star review was received from Rainbow Reviews for the latest installment of the Jade Owl Legacy Series, The Dragon's Pool.
"The Dragon's Pool continues the riveting tales begun in the first two volumes of this exciting paranormal/intersexual series. With Rowden Gray settled into the coveted position of Curator-General of the San Francisco Museum of East Asian Arts and Culture, married to his beloved Audrey and father of a toddler daughter and a new child due soon, life is sweet and often serene. The Jade Owl has been hidden away ~ far, far, away from Nick Battle, son and cultural heir of the famous "Old China Hand" John Battle, whose artifact collection the Museum houses-but the Jade Owl is not the only supernatural entity about to disturb the peace of the Museum and of Rowden, his family, and friends.
Each preceding volume of Edward C. Patterson's extensive series The Jade Owl Legacy has been a marvel of convoluted plotting, supernatural venue, finely delineated characterization, and heartwarming romance, love, and attachment, set in the subcultures of archaeology and the gay community of San Francisco. The series records a paranormal legacy stretching from ancient China to contemporary San Francisco and back across the oceans to China today, with characters who each elicit the reader's empathy as their lives unfold, and unusual and unexpected events run the gamut of the supernatural continuum of probabilities. This reviewer enjoyed particularly both the paranormal excursions and Mr. Patterson's cleverly delineated revelations of San Francisco's multi-layered gay subculture. In any event, as with the two preceding entries in The Jade Owl Legacy series, The Dragon's Pool is another not-to-be-missed novel from accomplished and prolific author Edward C. Patterson."
- review by PermaFrost
Friday, May 1, 2009
Press Release: The Dragon's Pool to be Released on May 11
Press Release: May 1, 2009.
Edward C. Patterson's, The Dragon's Pool, Book III in The Jade Owl Legacy series will be published and available on May 11, 2009. This third installment of the five book series brings this epic tale mid-crest. The first two books are The Jade Owl and The Third Peregrination, both available at Amazon.com and eBook (Kindle, Sony Reader and Mobipocket).
The Dragon’s Pool
The Third Book in the Jade Owl Legacy Series.
A shadow stalks the lanes and streets, from Gui-lin to San Francisco; from Florence to the Dragon’s Pool. In its wake, Rowden Gray and his China Hands follow a course to right the wrongs of time. The relic is hidden, but stirs in the soul and archaic rituals long since forgotten, but never lost. Some books are closed. Others are open, giving up their secrets. And in the darkness, ancient terror awaits. A barrren field yields up its magic and . . . the comets return to earth.
The Dragon’s Pool, the next installment of an adventure like none other, looms across the landscape giving even the stouthearted pause to reflect. The stalwart characters of The Jade Owl and The Third Peregrination are back, and joined by new players and helper bees and . . . yes, villains. It is time for the Tien-xin Rite. It is time to close history’s fissure. It is time to complete the prophesy that dwells beneath Her Majesty’s hem. It is time to count the teeth that emerge from the Dragon’s Pool.
Edward C. Patterson has been writing novels, short fiction, poetry and drama his entire life, always seeking the emotional core of any story he tells. With his eighth novel, The Jade Owl, he combines an imaginative touch with his life long devotion to China and its history. He has earned an MA in Chinese History from Brooklyn College with further postgraduate work at Columbia University. A native of Brooklyn, NY, he has spent four decades as a soldier in the corporate world gaining insight into the human condition. He won the 2000 New Jersey Minority Achievement Award for his work in corporate diversity. Blending world travel experiences with a passion for story telling, his adventures continue as he works to permeate his reader's souls from an indelible wellspring.
Published Novels by Edward C. Patterson include No Irish Need Apply, Bobby's Trace, Cutting the Cheese, Surviving an American Gulag, Turning Idolater, The Jade Owl (Jade Owl Legacy Series Book I), The Third Peregrination (Jade Owl Legacy Series Book II and Southern Swallow Series (Book I – The Academician). Coming soon: The Dragon’s Pool (Jade Owl Legacy Series Book III), Southern Swallow Series (Book II – The Nan Tu; Book III – Swan Cloud; Book IV – The House of Green Waters), Look Away, Silence, Belmundus, The Road to Grafenwöhr, and Green Folly. Look also for The People’s Treasure (Jade Owl Legacy Series Book IV) and In the Shadow of Her Hem (Jade Owl Legacy Series Book V). Poetry books available are The Closet Clandestine: a queer steps out and Come, Wewoka - and - Diary of Medicine Flower. Also Are You Still Submitting Your Work to a Traditional Publisher?
Tuesday, April 28, 2009
The Little Book that Could
Let me share with you a 5-star review of my novel No Irish Need Apply
http://www.amazon.com/gp/product/1434893952
Poetic Prose with Both Depth and Substance, April 26, 2009
Review By Greg Banks (www.wheelmanpress.com)
It's not often these days that you come across writing that possesses both the literary beauty of a classic poem with the depth and substance of a contemporary tale. A story may be gritty and real, with writing that reflects the coarseness of the environment in which the characters live, or you have prose that weaves a magical spell with beautiful turns of phrase, but once you're done reading it leaves you with little to chew on after the fact. But "No Irish Need Apply" by Edward C. Patterson contains both substance and style, a contemporary tale with told with the poetic beauty of the literary classics of the past. "No Irish Need Apply," a reference to the times when Irish immigrants were discriminated against, blatantly reflected by signs posted outside many establishments letting it be known that if you were Irish, then you shouldn't bother coming inside, is a story of love, a forbidden love in many circles, because it's the love story for two teen boys. For many, the subject may be controversial, even considered a topic as forbidden as the incidents it portrays. But in the hands (or should I say pen?) of Mr. Patterson, the story is told with compassion and grace. The tale of these teens as they come to recognize, and eventually accept, their growing love for one another is one which transcends the stigmas and prejudices surrounding homosexuality. It's a story that lives and breathes, takes you inside the minds of two young men dealing with issues that pretty much every human being should be able to identify with. "No Irish Need Apply" isn't a preachy tale, nor a rant against the establishment that denies same-sex relationships equal protection under the law. It's simply a story about teenage angst and love, and of two people trying to find themselves as they discover each other.
If the world is lucky, stories like this one that will kick down the walls of prejudice and the misguided applications of morality that still plagues our world, and in doing so bring better understanding and acceptance to us all. "No Irish Need Apply" isn't just a must read in my opinion, it should be required reading for everyone. Do yourself a favor and read it today. -
Gregory Bernard Banks, author of "2012: Seeking Closure"
http://www.amazon.com/gp/product/1434893952
Poetic Prose with Both Depth and Substance, April 26, 2009
Review By Greg Banks (www.wheelmanpress.com)
It's not often these days that you come across writing that possesses both the literary beauty of a classic poem with the depth and substance of a contemporary tale. A story may be gritty and real, with writing that reflects the coarseness of the environment in which the characters live, or you have prose that weaves a magical spell with beautiful turns of phrase, but once you're done reading it leaves you with little to chew on after the fact. But "No Irish Need Apply" by Edward C. Patterson contains both substance and style, a contemporary tale with told with the poetic beauty of the literary classics of the past. "No Irish Need Apply," a reference to the times when Irish immigrants were discriminated against, blatantly reflected by signs posted outside many establishments letting it be known that if you were Irish, then you shouldn't bother coming inside, is a story of love, a forbidden love in many circles, because it's the love story for two teen boys. For many, the subject may be controversial, even considered a topic as forbidden as the incidents it portrays. But in the hands (or should I say pen?) of Mr. Patterson, the story is told with compassion and grace. The tale of these teens as they come to recognize, and eventually accept, their growing love for one another is one which transcends the stigmas and prejudices surrounding homosexuality. It's a story that lives and breathes, takes you inside the minds of two young men dealing with issues that pretty much every human being should be able to identify with. "No Irish Need Apply" isn't a preachy tale, nor a rant against the establishment that denies same-sex relationships equal protection under the law. It's simply a story about teenage angst and love, and of two people trying to find themselves as they discover each other.
If the world is lucky, stories like this one that will kick down the walls of prejudice and the misguided applications of morality that still plagues our world, and in doing so bring better understanding and acceptance to us all. "No Irish Need Apply" isn't just a must read in my opinion, it should be required reading for everyone. Do yourself a favor and read it today. -
Gregory Bernard Banks, author of "2012: Seeking Closure"
Monday, April 27, 2009
The Academician Reduced on the Kindle
For a Limited time only, Edward C. Patterson's latest novel (March 2009) The Academican - Southern Swallow - Book One, priced at $ .99 (NINETY-NINE Cents)
37 years in development, this tale of 12th Century China is finally here:
The Academician http://www.amazon.com/dp/B001UE7D96
Description
"A bigger fool the world has never known than I - a coarse fellow with no business to clutch a brush and scribble. I only know the scrawl, because my master took pleasure in teaching me between my chores. Not many men are so cursed . . ." Thus begins the tale of Li K’ai-men as told by his faithful, but mischievous servant, K’u Ko-ling - a tale of 12th Century China, where state service meant a life long journey across a landscape of turmoil and bliss. A tale of sacrifice, love, war and duty - a fragile balance between rituals and passions. An epic commitment between two men to define the indefinable in their own world and time. Here begins the legacy of the Jade Owl and its custodian as he holds true to his warrants.
The Academician is the first of four books in the Southern Swallow series, capturing the turbulence of the Sung Dynasty in transition. Spanning the silvery days under the Emperor Hui to the disasters that followed, The Academician is a slice of world events that should never have been forgotten. Still, there are things more important than invasions and empires. The world’s fate rests in the warrants of Li K’ai-men, this young scholar from Gui-lin, called master by his faithful servant, but known as Nan Ya to the world.
Edward C. Patterson. M.A.
37 years in development, this tale of 12th Century China is finally here:
The Academician http://www.amazon.com/dp/B001UE7D96
Description
"A bigger fool the world has never known than I - a coarse fellow with no business to clutch a brush and scribble. I only know the scrawl, because my master took pleasure in teaching me between my chores. Not many men are so cursed . . ." Thus begins the tale of Li K’ai-men as told by his faithful, but mischievous servant, K’u Ko-ling - a tale of 12th Century China, where state service meant a life long journey across a landscape of turmoil and bliss. A tale of sacrifice, love, war and duty - a fragile balance between rituals and passions. An epic commitment between two men to define the indefinable in their own world and time. Here begins the legacy of the Jade Owl and its custodian as he holds true to his warrants.
The Academician is the first of four books in the Southern Swallow series, capturing the turbulence of the Sung Dynasty in transition. Spanning the silvery days under the Emperor Hui to the disasters that followed, The Academician is a slice of world events that should never have been forgotten. Still, there are things more important than invasions and empires. The world’s fate rests in the warrants of Li K’ai-men, this young scholar from Gui-lin, called master by his faithful servant, but known as Nan Ya to the world.
Edward C. Patterson. M.A.
Monday, April 20, 2009
Ed Patterson to be on Bobby Ozuna's Radio Show this Wednesday 4/22
I'm happy to announce that I will be interviewed as the guest author on Bobby Ozuna's internet Radio Show the Soul of Humanity THIS Wednesday night @ 7PM CST: 4/22/2009
Please join the thousands of listeners at
The Soul of Humanity, on the Artist First Radio Network:
http://artistfirst.com/bobbyozuna.htm
and also visit Bobby's Ozuna's blog, where I will be featured for Q & A.
http://inotauthor.blogspot.com
Thank youEdward C. Patterson
http://www.dancaster.com
Please join the thousands of listeners at
The Soul of Humanity, on the Artist First Radio Network:
http://artistfirst.com/bobbyozuna.htm
and also visit Bobby's Ozuna's blog, where I will be featured for Q & A.
http://inotauthor.blogspot.com
Thank youEdward C. Patterson
http://www.dancaster.com
Friday, April 17, 2009
How the Kindle SAVED My Life! Hallelujah!
Reposted from Kindleboards
http://www.kindleboards.com
Before the Kindle, there were BOOKS - big, beautiful, bodacious BOOKS, with all manner of fonts sizes that regalled me from an ever growing library that crept from one end of my living space to another. When I left the house, be it for a train commute in the 1970's or a "what to read at lunch time" tote (now), I would need to SELECT, and since I read more than one book at a time, I had a backpack filled with books chosen from the sagging shelf. Heavy on the back. And when carried under the arm, a balancing act. And when I dozed over my books, as I eventually do, they slipped out of my hands and jettisoned across the train or the lunchroom floor. And in bed, they would crash on my face and tumble to the floor. Oh, what troubadours we are - those who read the BOOKS.
Then - the Kindle. Now, with my entire library of 3,700 books contained in a StarTrek size (or more like an etch-a-sketch size) device, I no longer need to backpack it or tote or even make decisions before the hallowed shelves. Before the Kindle, I read about 2 hours a day, maybe three books on the go. However, as an author, I am suppose to read as many hours a day as I write, and I write for four hours a day. With the Kindle, my reading proclivity has risen to the appropriate requirement for a writer. I also have six or seven books on the go. And for a reader who has only one good eye (the other is as dumb as an olive), the Kindle's capability of resurrecting small print to Olympian sizes (and at will), has resurrected my reading life.
But there's more. I can publish on the Kindle, privately to edit on the fly, and publicly in tandem with my print output. But most of all, the Kindle has put me in league with a host of other readers and authors, who have been touched by this Promethean commodity. True, I have a TV and a DVD and a Blackberry and a YouTube capable Computer - BUT the written word can take you to the ends of the earth and the beginnings of the first spark (which last time I looked was called, a Kindle). Just to be able to hold the wealth of the world in your hand is to be given opportunities beyond thinking - an imaginative voyage that doesn't need dusting shelf-space, but just the occasional recharge and new battery. I am never without my Kindle. It is the first thing I pick up in the morning (NY Times) and the last thing I set aside at night (beside my besotted spectacles). And yet, there was life before it. I read before it. I wrote before it. I even got my hands dirty with newsprint before it. However, with it my life is changed - supercharged. It has helped get my thoughts out into the community and it has cloaked me with a bounty of the language's best. What more can there be? Well, one might hope for Hogwarts and Middle Earth to join the ranks Narnia, but even if they don't, I'll find room on that darn shelf that I call a shrine now, for the reticent and the recalcitrant, in a format that is now a viable alternative.
How has the Kindle changed your life?
Edward C. Patterson
author of The Jade Owl
http://www.kindleboards.com
Before the Kindle, there were BOOKS - big, beautiful, bodacious BOOKS, with all manner of fonts sizes that regalled me from an ever growing library that crept from one end of my living space to another. When I left the house, be it for a train commute in the 1970's or a "what to read at lunch time" tote (now), I would need to SELECT, and since I read more than one book at a time, I had a backpack filled with books chosen from the sagging shelf. Heavy on the back. And when carried under the arm, a balancing act. And when I dozed over my books, as I eventually do, they slipped out of my hands and jettisoned across the train or the lunchroom floor. And in bed, they would crash on my face and tumble to the floor. Oh, what troubadours we are - those who read the BOOKS.
Then - the Kindle. Now, with my entire library of 3,700 books contained in a StarTrek size (or more like an etch-a-sketch size) device, I no longer need to backpack it or tote or even make decisions before the hallowed shelves. Before the Kindle, I read about 2 hours a day, maybe three books on the go. However, as an author, I am suppose to read as many hours a day as I write, and I write for four hours a day. With the Kindle, my reading proclivity has risen to the appropriate requirement for a writer. I also have six or seven books on the go. And for a reader who has only one good eye (the other is as dumb as an olive), the Kindle's capability of resurrecting small print to Olympian sizes (and at will), has resurrected my reading life.
But there's more. I can publish on the Kindle, privately to edit on the fly, and publicly in tandem with my print output. But most of all, the Kindle has put me in league with a host of other readers and authors, who have been touched by this Promethean commodity. True, I have a TV and a DVD and a Blackberry and a YouTube capable Computer - BUT the written word can take you to the ends of the earth and the beginnings of the first spark (which last time I looked was called, a Kindle). Just to be able to hold the wealth of the world in your hand is to be given opportunities beyond thinking - an imaginative voyage that doesn't need dusting shelf-space, but just the occasional recharge and new battery. I am never without my Kindle. It is the first thing I pick up in the morning (NY Times) and the last thing I set aside at night (beside my besotted spectacles). And yet, there was life before it. I read before it. I wrote before it. I even got my hands dirty with newsprint before it. However, with it my life is changed - supercharged. It has helped get my thoughts out into the community and it has cloaked me with a bounty of the language's best. What more can there be? Well, one might hope for Hogwarts and Middle Earth to join the ranks Narnia, but even if they don't, I'll find room on that darn shelf that I call a shrine now, for the reticent and the recalcitrant, in a format that is now a viable alternative.
How has the Kindle changed your life?
Edward C. Patterson
author of The Jade Owl
Friday, March 27, 2009
Edward C. Patterson Interviewed by Amanda Young
I gave an Interview on Amanda Young's Romance website, complete with excerpts and covers. Come take a look and let me know what you think.
http://www.amandayoung.org/blog/
Edward C. Patterson
www.dancaster.com
http://www.amandayoung.org/blog/
Edward C. Patterson
www.dancaster.com
Wednesday, March 25, 2009
Bobby's Trace NOW Nine-nine Cents on the Kindle
I am pleased to announce that for a limited time only I have reduced the price of my Kindle Novel:
Bobby's Trace (4 1/2 stars - 11 reviewers)
now available on Amazon.com for $ .99 (NINETY-NINE CENTS)
http://www.amazon.com/dp/B00150Z5HC
Description:
Do ghosts mourn the living? Perry Chaplin is in mourning for his life partner, Bobby - a time of stress, notwithstanding. The more he drifts, the more he becomes unhinged until he's one room short of a rubber one. "Get a grip, Perry." So he takes his chances on a blind date, which further plunges him along the nightmare highway. He gets an unsought lesson in life-after-death that turns his bereavement into a horrific adventure. Come peek through Perry Chaplin's mysterious window. See what there is to see. Enter Our Lady of Perpetual Grace, where the holy water boils and the confessionals whisper. What lurks in the rectory's attic? What lies beneath the surface of life and death? What comes in Bobby's - in Bobby's trace? Do ghosts mourn the living? Perry Chaplin knows. Will you?
Edward C. Patterson
www.dancaster.com
COME VISIT THE Best Kindle Book Deals Listomania Page for some great Bargain Kindle Reads.
http://tiny.cc/CzgB0
Bobby's Trace (4 1/2 stars - 11 reviewers)
now available on Amazon.com for $ .99 (NINETY-NINE CENTS)
http://www.amazon.com/dp/B00150Z5HC
Description:
Do ghosts mourn the living? Perry Chaplin is in mourning for his life partner, Bobby - a time of stress, notwithstanding. The more he drifts, the more he becomes unhinged until he's one room short of a rubber one. "Get a grip, Perry." So he takes his chances on a blind date, which further plunges him along the nightmare highway. He gets an unsought lesson in life-after-death that turns his bereavement into a horrific adventure. Come peek through Perry Chaplin's mysterious window. See what there is to see. Enter Our Lady of Perpetual Grace, where the holy water boils and the confessionals whisper. What lurks in the rectory's attic? What lies beneath the surface of life and death? What comes in Bobby's - in Bobby's trace? Do ghosts mourn the living? Perry Chaplin knows. Will you?
Edward C. Patterson
www.dancaster.com
COME VISIT THE Best Kindle Book Deals Listomania Page for some great Bargain Kindle Reads.
http://tiny.cc/CzgB0
Wednesday, March 11, 2009
Southern Swallow and His “Cut-Sleeve” Affair
I received an inquiry from a reader of The Academician about the use of the term "cut-sleeve affair" when referring to homosexuality during the Sung (Song) Dynasty (12th Century) China, the setting for the novel. Perhaps I should have added a footnote in the book. However, the work is a "novel," not a textbook. Although the term, and another one, "sharing a peach," are clear in their application, I owe the non-sinological world an explanation.
Homosexuality in China has been regarded variously during its long and eventful history. Unlike in the West, none of China’s traditional religions and philosophy regards homosexuality as a sin. However, in an agrarian Confucian society, there are certain obligations within relationships that homosexuality precludes — procreation being one. Homosexuality is not the only area that has been evaluated in light of fulfilling one’s obligations to produce children. Buddhism has been subject to a similar and, actually greater hostility, until it modulated into its particularly Chinese brand of the religion. During Ancient times (Warring States and Han), homosexuality wasn’t necessarily accepted, but it was broad based enough on the Imperial level that it was hard to ignore. The term "sharing a peach" came into vogue after a young man, Mi Tzi-xia, offered Duke Ling of the State of Wei a partially eaten, but juicy peach as an entrée to a same-sex relationship. More famous, and as such a more widely applied term, came with the young Emperor Ai, the last Western Han Emperor (9 CE), whose male concubine, Tung Xien, was prominent at court. As the Han Histories state it, Tung Xien fell asleep in Ai-tsung’s arms and, rather than disturb his sleep, the Emperor had his robe sleeves cut away in order to depart. This term for homosexual relationships — a "cut sleeve affair" entered into common parlance since.
During the Sung (Song) Dynasty, the period of The Academician, there was ambivalence about "cut-sleeve affairs." In the novel (as it would be in life), Li K’ai-men does his Confucian duty, marries and cohabitates with his wife and produces two sons, as it should be. His male lover, Fu Lin-t’o, finds himself in a strange limbo between Li’s love and his place in the Confucian order of things. He is not discriminated against and becomes part of the household, but still finds prejudices at every turn, even in the feng-shui notions of keeping heaven balanced. The Southern Swallow series is built around the long life of this cut-sleeve affair and its resilience against all odds. Homosexuality, as open and common, reached its zenith during the Ming Dynasty, when the court was as gay as King Frederick of Prussia’s. There was also a brand of same-sex marriage in Fu-ch’ien Province referred to as "Fu-ch’ien Marriages." With the Manchu conquest in 1640 under the Ch’ing (Qing) Dynasty, homosexuality was dealt a blow. Anything suggesting Ming hedony was suppressed by the more conservative conquerors. While the Ch’ing were importing Western cannon and clocks, they also were importing Jesuit views on homosexuality. In 1740, the K’ang-xi Emperor proscribed homosexuality and it was criminalized (not by death, but with strokes with the bamboo rod). There has been much debate as to whether the new laws were enforced. Still, homosexuality was criminalized in China until 1997 and in Hong Kong until the repatriation in 2000.
So from earliest times to the present, China has had a different view of homosexuality than the rest of the world. It was never a wholesale endorsement, but like many other social institutions, it was required to conform to strict societal relationships, which it did better than some other peculiar Chinese dishes like Buddhism (an Indian import). The euphemisms "a cut-sleeve affair" and "sharing a peach" were used in polite reference, not like Western euphemisms (light in the sneakers etc.). One of my aims, amongst others, in authoring The Academician was to develop a tung-xing-lien (companionable relationship – the Chinese word for homosexuality) during a more enlightened age. The novels span between 1124 – 1172 CE, a time when Western civilization was searching through the mud for its sandals and homosexuality was punishable by lighting the fires and burning the sinners.
Edward C. Patterson
More information on The Aacdemician http://www.amazon.com/dp/144149975X
Monday, March 2, 2009
Press Release on The Academician
After 30 Year in the Making, Patterson's The Academician is to be released on March 9th
The author of Jade Owl Legacy Series, Edward C. Patterson, is releasing the first book in the Southern Swallow Series - The Academician on March 9th, 2009. This novel of 12th Century China, the product of 30 years work. is a real eye-opener.
The Academician - Book I of Southern Swallow
FOR IMMEDIATE RELEASE
PRLog (Press Release) – Mar 02, 2009 – The Academician is to be published by the author of The Jade Owl Series, Edward C. Patterson:
“A bigger fool the world has never known than I — a coarse fellow with no business to clutch a brush and scribble. I only know the scrawl, because my master took pleasure in teaching me between my chores. Not many men are so cursed . . .” Thus begins the tale of Li K’ai-men as told by his faithful, but mischievous servant, K’u Ko-ling — a tale of 12th Century China, where state service meant a life long journey across a landscape of turmoil and bliss. A tale of sacrifice, love, war and duty — a fragile balance between rituals and passions. An epic commitment between two men to define the indefinable in their own world and time. Here begins the legacy of the Jade Owl and its custodian as he holds true to his warrants.
The Academician is the first of four books in the Southern Swallow series, capturing the turbulence of the Sung Dynasty in transition. Spanning the silvery days under the Emperor Hui to the disasters that followed, The Academician is a slice of world events that should never have been forgotten. Still, there are things more important than invasions and empires. The world’s fate rests in the warrants of Li K’ai-men, this young scholar from Gui-lin, called master by his faithful servant, but known as Nan Ya to the world."
The Academician is a fictional account of a twelfth Century Chinese scholar-official, who readers of The Jade Owl Legacy first encounter in The Third Peregrination. Although this series serves as an historical adjunct to The Jade Owl, it has been in development longer than any work from the author's pen. The character of Li K’ai-men first came to light over three decades ago in Patterson's first China-themed work, Vagrant Hollow, a work which, unlike Li, will never come to light. Still, Mr. Patterson's great desire to novelize a seminal epoch in Chinese History, the founding of the Southern Sung Dynasty, sprang to life even earlier in his Masters’ thesis, "The Restoration of the Southern Sung Dynasty: The Reign of the Emperor Kao-tsung: 1127 – 1167." While entrenched in this period’s amazing details, Patterson visualized the tug and tussle of events that every Chinese school child knows, but few in the West can fathom.
Wednesday, February 25, 2009
From My Mind to Your Imagination: Bobby’s Trace and Mystery Writing
I must say, I have fun when I write a mystery, whether it’s a whodunit like Turning Idolater or a horror-ghost story like Bobby’s Trace. Authors have an obligation to their readers — to provide them with compelling material presented through well conceived, living characters who are wrapped in vivid and engaging language. However, when dealing out mystery, logic is a crucial element. Unlike a slice of life work, a mystery promises the reader surprises and clues, not that non-mysteries exclude surprise. However, logic can fly the coop in a mystery, leaving the reader scratching their heads wondering where the work fell off the cliff . . . or did they? I have more fun authoring mysteries because I get to meet logic’s challenge and stretch it to the fullest taffy pull. I succeed only when the reader trips over the ending, hits themselves in the head and wonders why they couldn’t unwrap the enigma. Hiding clues in the reader’s path and knowing that they won’t see them is highly rewarding to me — I’m that tricky.
In Bobby’s Trace, a passionate haunting that blends gay themes, religion, Gilbert & Sullivan and computer programming into an unlikely frolic through the ghost world, I attempt to delight the reader to the extreme. The action belays the clues, which are processed, but dismissed as common elements — much like sleight of hand employed in a magician’s act. This misdirection can be attributed to Bobby’s Trace’s origins. It began life as a one-act farce in three scenes. It had nothing ghostly about it except the tenuous hold of the protagonist’s dead lover. In fact, the play had the unlikely title An Outing in the Wilderness, the main action laid across the humorous conflict of the programmer and the priest (not unlike the Princess and the Pea). I found the premise, amusing as a play, not as humorous in prose. Enter (stage right) Bobby — first as a mild Blithe Spirit presence, and then as a fully developed ghost stuck between the worlds. Then as I developed Bobby’s character, the work changed. The pathos of poor Bobby and his magnetic eyes — the beauty of his youth and the tragedy of his early death was impetus to something far greater than the romp between programmer and priest. The illogic of a fantasy world — a spirit universe married by the very act of mourning — so powerful that both the mourned and the mournful could dwell in it to the point where it becomes unclear whether the living mourn the dead or the dead mourn life, emerged. Now this were a-boilin’, transforming a light gay coming-out comedy into a griping, terrifying ghost mystery complete with a signature gut-wrenching ending.
Creating a satisfying mystery — one that delivers on its promise, is to enter a partnership with the reader — to help the reader search for the clues, and then, push them off in another direction. Agatha Christie loved to employ these red herrings in her books. The trick is to not let the fish smell too much like fish. Many readers of Bobby’s Trace have told me that they loved re-reading it just to find out where they went wrong — sort of sniffing for the fish in the corners. When I hear that, my day is always made, because it means that I have fulfilled my author’s motto — From my mind to your imagination . . .
http://www.amazon.com/gp/product/1434893960 (Paperback)http://www.amazon.com/dp/B00150Z5HC (Kindle)
Edward C. Patterson
In Bobby’s Trace, a passionate haunting that blends gay themes, religion, Gilbert & Sullivan and computer programming into an unlikely frolic through the ghost world, I attempt to delight the reader to the extreme. The action belays the clues, which are processed, but dismissed as common elements — much like sleight of hand employed in a magician’s act. This misdirection can be attributed to Bobby’s Trace’s origins. It began life as a one-act farce in three scenes. It had nothing ghostly about it except the tenuous hold of the protagonist’s dead lover. In fact, the play had the unlikely title An Outing in the Wilderness, the main action laid across the humorous conflict of the programmer and the priest (not unlike the Princess and the Pea). I found the premise, amusing as a play, not as humorous in prose. Enter (stage right) Bobby — first as a mild Blithe Spirit presence, and then as a fully developed ghost stuck between the worlds. Then as I developed Bobby’s character, the work changed. The pathos of poor Bobby and his magnetic eyes — the beauty of his youth and the tragedy of his early death was impetus to something far greater than the romp between programmer and priest. The illogic of a fantasy world — a spirit universe married by the very act of mourning — so powerful that both the mourned and the mournful could dwell in it to the point where it becomes unclear whether the living mourn the dead or the dead mourn life, emerged. Now this were a-boilin’, transforming a light gay coming-out comedy into a griping, terrifying ghost mystery complete with a signature gut-wrenching ending.
Creating a satisfying mystery — one that delivers on its promise, is to enter a partnership with the reader — to help the reader search for the clues, and then, push them off in another direction. Agatha Christie loved to employ these red herrings in her books. The trick is to not let the fish smell too much like fish. Many readers of Bobby’s Trace have told me that they loved re-reading it just to find out where they went wrong — sort of sniffing for the fish in the corners. When I hear that, my day is always made, because it means that I have fulfilled my author’s motto — From my mind to your imagination . . .
http://www.amazon.com/gp/product/1434893960 (Paperback)http://www.amazon.com/dp/B00150Z5HC (Kindle)
Edward C. Patterson
Monday, February 16, 2009
The Advent of Simone DeFleurry
The Advent of Simone DeFleurry in The Jade Owl
by Edward C. Patterson
One might think that to pop in a compelling character like Simone DeFleurry — a drag queen, into a fantasy adventure like The Jade Owl is a simple matter of adding spice to a story. However, nothing could be further from the truth. If an author is to entice a reader with developing character arc, such "devices," rarely work except on reruns of Murder She Wrote. Simone, who has consistently been reckoned by my readers as their favorite character, is never too far away from that other persona — Simon Geldfarb. When I decided that a principle character would be a chanteuse of note, I sorted out my own experiences concerning drag queens. To the outer world, and even the inner, drag queens are men dressed as women, outrageously over the top and something of an entertainment perk, representing the Gay male community at Gay Pride Parades. Nothing could be further from the truth. That most cross dressers are heterosexual men who glam about in their wives bras and undies is a statistical fact (I allude to it in The Jade Owl). Simone DeFleurry is a charmer — a fashion plate and a walking encyclopedia on good taste and manners. He provides Nick Battle with love and companionship as part of the double-barreled mailbox label "Geldfarb-Battle." His view of problems are often so direct, the others miss the obvious until the poignant Miss DeFleurry points the way. Simone manages some glorious feats of bravery throughout the series with swagger and posh.
When I began writing The Jade Owl, my vision of drag queens was narrow — shallow. To pepper the story with one or two could have been misconstrued as pushing stereotypes, and that would never do. I therefore opted to sit down and get to know some drag queens. It’s odd that, having degrees in Sinology, I needed little additional research into Chinese culture. Being Gay, one would think that every gay man knows the inner soul of a drag queen. WRONG. Being honest — telling my interviewees that I wanted to capture the true essence of who they were, was a bold thing to ask. I was surprised to discovered a sub-culture beneath a sub-culture that was beautiful — rich and rare. Very human, and in Simone’s own words — "I am as much a man as you are, only packaged differently." The aspects of the people beneath the boas and high heels astounded me. After all, it was the drag queens that had the bravery to start the whole Stone Wall Revolution that began the modern Gay & Lesbian Activist Movement. There were no yelling and screaming Act Up bravos then; just a fiery brace of drag queens, who demanded their rights. Simone DeFleurry represents that brand of fire — the beautiful home hearth that lights the way to a natural and normalized way of life — one that gives Nick Battle the embodiment of a father/mother/wife. One that holds the candle high for Rowden Gray, so he might grow into his own acceptance of things different. In fact, for the reader — who should feel more uncomfortable when Simone dresses as Simon Geldfarb, complete with a yellow lemon tie than when he wears his favorite red polka-dot sun dress. The sadness of Simon as opposed to the lilt of Simone is crucial.
An essential requirement for me as the author of the Jade Owl Legacy Series was to make the reader forget that the story has a drag queen amongst its stars. By the third book, The Dragon’s Pool, Simone DeFleurry is a vessel that can hold even a greater responsibility — graduating to motherhood. However, since number three in the series will not hit the streets until May, I’ll say no more.
Edward C. Patterson
The Jade Owl Legacy SeriesThe Jade Owl http://www.amazon.com/dp/1440447977The Third Peregrination http://www.amazon.com/dp/1441456724and coming soon The Dragon’s Pool, The People’s Treasure and In the Shadow of Her Hem Also coming soon, an adjunct series Southern Swallow (In Three Parts)The Academician(mid-March), Swan Cloud, and The House of Green Waters
by Edward C. Patterson
One might think that to pop in a compelling character like Simone DeFleurry — a drag queen, into a fantasy adventure like The Jade Owl is a simple matter of adding spice to a story. However, nothing could be further from the truth. If an author is to entice a reader with developing character arc, such "devices," rarely work except on reruns of Murder She Wrote. Simone, who has consistently been reckoned by my readers as their favorite character, is never too far away from that other persona — Simon Geldfarb. When I decided that a principle character would be a chanteuse of note, I sorted out my own experiences concerning drag queens. To the outer world, and even the inner, drag queens are men dressed as women, outrageously over the top and something of an entertainment perk, representing the Gay male community at Gay Pride Parades. Nothing could be further from the truth. That most cross dressers are heterosexual men who glam about in their wives bras and undies is a statistical fact (I allude to it in The Jade Owl). Simone DeFleurry is a charmer — a fashion plate and a walking encyclopedia on good taste and manners. He provides Nick Battle with love and companionship as part of the double-barreled mailbox label "Geldfarb-Battle." His view of problems are often so direct, the others miss the obvious until the poignant Miss DeFleurry points the way. Simone manages some glorious feats of bravery throughout the series with swagger and posh.
When I began writing The Jade Owl, my vision of drag queens was narrow — shallow. To pepper the story with one or two could have been misconstrued as pushing stereotypes, and that would never do. I therefore opted to sit down and get to know some drag queens. It’s odd that, having degrees in Sinology, I needed little additional research into Chinese culture. Being Gay, one would think that every gay man knows the inner soul of a drag queen. WRONG. Being honest — telling my interviewees that I wanted to capture the true essence of who they were, was a bold thing to ask. I was surprised to discovered a sub-culture beneath a sub-culture that was beautiful — rich and rare. Very human, and in Simone’s own words — "I am as much a man as you are, only packaged differently." The aspects of the people beneath the boas and high heels astounded me. After all, it was the drag queens that had the bravery to start the whole Stone Wall Revolution that began the modern Gay & Lesbian Activist Movement. There were no yelling and screaming Act Up bravos then; just a fiery brace of drag queens, who demanded their rights. Simone DeFleurry represents that brand of fire — the beautiful home hearth that lights the way to a natural and normalized way of life — one that gives Nick Battle the embodiment of a father/mother/wife. One that holds the candle high for Rowden Gray, so he might grow into his own acceptance of things different. In fact, for the reader — who should feel more uncomfortable when Simone dresses as Simon Geldfarb, complete with a yellow lemon tie than when he wears his favorite red polka-dot sun dress. The sadness of Simon as opposed to the lilt of Simone is crucial.
An essential requirement for me as the author of the Jade Owl Legacy Series was to make the reader forget that the story has a drag queen amongst its stars. By the third book, The Dragon’s Pool, Simone DeFleurry is a vessel that can hold even a greater responsibility — graduating to motherhood. However, since number three in the series will not hit the streets until May, I’ll say no more.
Edward C. Patterson
The Jade Owl Legacy SeriesThe Jade Owl http://www.amazon.com/dp/1440447977The Third Peregrination http://www.amazon.com/dp/1441456724and coming soon The Dragon’s Pool, The People’s Treasure and In the Shadow of Her Hem Also coming soon, an adjunct series Southern Swallow (In Three Parts)The Academician(mid-March), Swan Cloud, and The House of Green Waters
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